Selected Projects
A good website doesn’t need to shout. It simply needs to make sense.
Design & Websites
Websites with Clear Structure and Purpose

Digituu — Web & Visual Identity
I designed and developed the website for Digituu, a digital platform providing comprehensive software solutions for the hospitality industry. From the very beginning, I felt close to the idea of creating software that is intuitive — simple, natural, and guided “from the heart.” I wanted to translate this principle not only into the visual identity, but also into the structure of the website itself. My goal was to create a clean and well-structured website that feels clear and accessible for different types of users. One that doesn’t overwhelm with information, but stands on thoughtful hierarchy, calm visuals, and long-term sustainability.

As a Brand Evolves, So Should Its Visual Identity
The original mascot was an important part of Digituu’s identity. However, as the product expanded and its functionality grew, the visual expression no longer matched the pace and ambition of the brand. My goal wasn’t to change the character itself, but to move it forward — into a more modern, refined 3D form that naturally fits a fast-evolving digital environment. The redesign focused on preserving the essence and personality of the mascot while aligning it with the brand’s growth. The new visual language supports the intuitive, “from the heart” experience that defines the software.
Current Project
Leading the Rebranding of Finea — From Strategic Decisions to Implementation
Finea — Rebranding & Brand Implementation

Bringing Finea’s Rebranding Into Practice
Beyond the website, I’m actively involved in integrating the rebrand into the brand’s day-to-day operations. I oversee the setup of communication channels, manage trademark protection within Slovakia and the European Union, and contribute to content creation and newsletters. My goal is to ensure that the new identity functions consistently and clearly across all touchpoints — and carries long-term meaning.
COPYWRITING & STORYTELLING
Emotion Still Wins — Even in a Digital World
I believe emotion isn’t an outdated cliché — it’s what truly drives decisions in a fast-moving digital world. Where everything feels similar and overloaded, story carries the greatest power. Behind every brand, product, or seemingly ordinary thing, there is a story. My work is to find it, understand it, and shape it into words that feel natural, honest, and clear — without unnecessary drama, but with intention. That’s also why, within my copywriting and storytelling work, I chose to present my author project. It represents something deeply personal — a tangible reflection of how I work with words, time, and emotion. Without shortcuts. Without filters.
Author Project
The Book I Wrote for Myself — and for Them
I began writing this book while I was living in London. At that time, I felt the need to capture certain moments exactly as they happened — without distance, without editing, without reshaping them to mean something else. Over time, I started writing letters to my daughter, Hana. Not because I knew what my life would become, but because I wanted to preserve the thoughts, decisions, and emotions as they were when they first appeared. Life unfolded differently, and today I have two sons. The texts I wrote during that period have never been changed. They remain as they were then — honest and unedited. The first part of the book took more than eight years to write. Today, I continue with the second. For me, writing is a way to move forward and to better understand what I live through. I’ve chosen to keep the book private. These texts are meant only for my children — for the time when they are grown and ready to read them.



SEO & GEO You Don’t See — But That Deliver Results
A Process That Connects Data, Meaning, and User Intent
For me, SEO and GEO are not about being visible. Quite the opposite — the less you notice them, the better they’re done. Every solution follows a clear process:
Selected Assignments
Brief. Context. Solution.
In this section, I present selected assignments that reflect how I work. Each includes the original brief as well as my approach and solution. This is not a showcase of polished final outputs, but a demonstration of thinking, structure, and the ability to work within context.
Detailed strategic materials are available upon request for relevant collaborations.
VIDEO & STRIH
Stories in Motion
For me, video is about rhythm, emotion, and time. Each shot gains meaning only when it connects with others and a story begins to emerge between them. I don’t see editing as a technical phase, but as the search for the right tempo, detail, and atmosphere. My focus isn’t on effects, but on what the viewer feels — even after the image fades. For me, the result isn’t just a video, but a moment worth returning to.
THE FIRST FINISH LINE | A Year of Training
A story about endurance, trust, and the small steps that lead to a big goal.
A year of shared training, overcoming limits, and the moment when the finish line stops being a dream and becomes real.
TREASURE HUNT | Storytelling through experience
A week filled with clues, discovery, and childlike joy.
A story that wasn’t written on paper, but created in the real world — an experience meant to be remembered.
digituu | Product & brand moment
A short visual moment where technology meets emotion.
A study in atmosphere, rhythm, and detail in brand communication.
